• Parsons School of Design, MFA Photography

    New York, NY 2016

  • Columbia University, MFA Poetry, and Additional in Literary Translation

    New York, NY 2014

  • The Academy of American Poets Bennett Poetry Prize 2014

  • Fatal Flaw Lit

    An essay with photography published in the Spring 2021 issue. Nominated for the Best of the Net 2021:
    http://bestofthenetanthology.com/about/

  • The Commonline Journal

    A poem from the manuscript Le Lampe a Quitter. The poem is no longer available online.

  • Best of Burn

    A first collection of the best essays published on Magnum photographer David Alan Harvey's Burn Magazine. It is part of the Indie Photobook Library (iPL) that was acquired for the Beinecke Rare Book & Manuscript Library at Yale University.

    Published 9/2010, 294 pages, offset printed. Sold out.
    https://www.amazon.com/burn-01-burn-01-burn01-magazine/dp/B00BVRHJFK

  • Burn Magazine

    Non-Fiction Essay and Photographic Essay.

  • Terror

    A cohesive project meant for paging through by the linear order of the dates.

  • Invisible City, Issue 4

    Photo essay.
    http://www.invisiblecity.org/post/129045542005/issue-04
    This journal is no longer available online, and can be viewed in the online digital archives of The National Library of Australia.

  • Without-Or

    A project meant for a cohesive reading utilizing the portfolio formatting of blogspot.

  • The 2River View

    Three poems

  • Primavera, Volume 29, 2006

    Short fiction in print only.

  • Criticism on "Vinyl Scratch Takes Off Her Glasses"

    A brony with a clear audience in discrepancy over the true color of her eyes. Are they magenta or red or pink. This video has a fan-based creator, rendering Vinyl Scratch as she was born. It might be easy to contemplate this as an allusion to Night-Life, yet it is not required for a brony to have standard colorations of eyes, or enjoy the experience of music outside of her healthy intrinsic realm. There are no other elements in this video to indicate a reading seeped in Night-Life. She is not torrid, and further ruminations on her eye-coloration are undue, resembling false comprehensions of possible leadings with injustice.

    This video is well-made. It is sharp, basic dialogue, and contains a playful interlude with the viewer. As the camera seems to near with Vinyl's invitation, it may be a spook or a friend standing nearby, and this displaces the viewer while also asking the viewer to instance with the unseen figure. This invitation, deployed not as a challenge, but an assertion from Vinyl to recognize the true color of her eyes. The viewer--us, a spook, a friend-- is assumed a skeptic, and the skeptic notions were reviewed in the introductory paragraph.